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Ki Pro Go

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Ki Pro GO là đầu ghi H.264 đa kênh di động cung cấp lên đến 4 kênh ghi HD và SD đồng thời vào các ổ USB với khả năng ghi dự phòng và giờ đây với phần mềm v3.0 mới, hỗ trợ ghi vào thiết bị lưu trữ mạng. Đầu vào video kỹ thuật số 4x 3G-SDI và 4x HDMI với chức năng gán kênh linh hoạt cung cấp kết nối với các nguồn video mới nhất, bao gồm cả máy quay và máy ảnh DSLR. Ki Pro GO cũng có tính năng khử xen kẽ chất lượng cao của AJA trên mỗi đầu vào để các bản ghi progressive có thể được thực hiện từ các đầu vào interlace. Âm thanh nhúng 2 kênh chất lượng cao hoặc âm thanh tương tự XLR cân bằng có thể được gán cho bất kỳ kênh ghi nào. Giám sát ma trận đa kênh cho phép xem nhiều kênh video trên bất kỳ màn hình HDMI hoặc SDI duy nhất nào và đầu ra nâng cao cung cấp tín hiệu mã thời gian, trạng thái tín hiệu và tín hiệu âm thanh trên đầu ra màn hình SDI và HDMI. Được thiết kế để di động hoặc có thể lắp vào giá đỡ với kích thước 2RU, Ki Pro GO rất phù hợp để sử dụng trong mọi môi trường.

Số lượng

Thương hiệu: AJA

Industry Standard Connectivity
The video and audio connections on the rear panel of the Ki Pro GO offers 4x 3G-SDI and 4x HDMI inputs with separate SDI and HDMI monitoring which includes Matrix Monitoring for multi-channel viewing on a single HD display. XLR Analog Audio in offers Mic, Line and Phantom Power for audio recording from master sources, mixers and more. HDMI and SDI 2-channel embedded audio or the XLR analog inputs can be easily assigned to each recording channel. Alternatively, you can use the second Analog Audio input as a LTC input.
Four USB ports on the front provide easy to access recording media using off the shelf USB drives, with a fifth USB port on the rear. Flexible destination mapping allows any USB to record the primary and any USB for backup or pass on of a second copy. This allows for backup or pass on of a secondary copy of captured files to post-production, clients, or others on your team. You can also map a single source to multiple USBs for duplication needs.
Four 3G-SDI outputs ensure that signal pass through is available for connectivity into a wide range of devices from routers, to switchers, additional Ki Pros and more.
Redundant power supplies ensure that always up reliability is provided for your critical live event needs.
Genlock Free Recording with Easy Input Mapping
Record 1, 2, 3 or 4-channels of HD or SD up to 1080p 50/60 in H.264 simultaneously with Ki Pro GO. Simplify your setup by connecting up to four HDMI and four 3G-SDI source cables into Ki Pro GO and assign any combination of four inputs at a time for four channels of H.264 recording to any four of the 5 USB ports on the Ki Pro GO.
Time is always tight, especially for live events. Ki Pro GO's Genlock free inputs make it is easy to switch your sources including SDI cameras, DSLRs, or HDMI cameras to the appropriate recording channel, all conveniently mapped within Ki Pro GO's elegant UI.
Network Recording
Extend your recording capabilities through the use of external (NAS) storage. Simply connect your storage to the Ki Pro GO over a standard Gigabit Ethernet network and take advantage of all the features of networked storage. Use your NAS as your primary storage location or as secondary (backup) media – you can even record to NAS and local, USB-based storage simultaneously, giving you the perfect combination of shared storage and portability.
Ki Pro GOs elegant and intuitive UI makes NAS set up easy. Simply enter the IP address of the storage, any required user credentials, and the SMB dialect you wish to use, and you’re ready to record. Ki Pro GO simplifies set up even further by auto-detecting the SMB dialect of your NAS system and self-configuring to match. SMB credentials can also be stored in system presets and recalled at the push of a button for “on-the-fly” system reconfiguration.
Local and NAS Recording
In this workflow we can see the Ki Pro GO is receiving video from camera sources 1 through 4. The Ki Pro GO is recording locally to USB drives connected to the front USB3 inputs. The Ki Pro GO  is also connected via Gigabit ethernet to a Gigabit ethernet switch and a NAS for simultaneous recording. Editorial, Graphics and Digital Asset Management (DAM) workstations are also connected to the same network as the Ki Pro GO, with both having access to the NAS.
Multi-Unit Recording With a Single NAS
This workflow shows two Ki Pro GO units, with the first receiving video from camera sources 1 through 4 and the second receiving video from camera sources 5 through 8. Each Ki Pro GO is recording locally to USB drives connected to the front USB3 ports. Both Ki Pro GOs are connected via Gigabit ethernet to a Gigabit ethernet switch. A NAS connected to the same network is also the second recording destination for cameras 1 through 8.    
Multiple, Simultaneous Recording Destinations
This workflow shows the Ki Pro GO receiving video from camera sources 1 though 4. The Ki Pro GO is connected to multiple USB drives as well as a NAS via Gigabit ethernet allowing immense flexibility.
H.264 Encoding
Pick your Quality. Deliver your Bit Rate.
Ki Pro GO allows independent quality settings per channel for recording; with five recording settings choices for any channel assignment depending upon your delivery need or eventual bandwidth allocation for the file's playback stream.
Choose any one of five VBR Recording Settings allowing up to 25Mbps:
* Low: Suitable for talking heads, conference backups, security recording and more.
* Med-Low
* Medium: Ideal for higher detail and more complex content.
* Med-High
* High: Serves well for fast moving, highly detailed content like sports or live event scenarios like concerts.
Ki Pro GO records as a standard .MP4 file, providing convenience and compatibility with a huge range of software applications.
Redundant Recording
Ki Pro GO offers a large matrix of possibilities for redundant recording needs.
Four USB ports on the front and a fifth USB port on the rear provide easy to access recording media using off the shelf USB drives. The Ki Pro GO offers the user flexibility in choosing any USB port for a channel’s primary and any USB port for a channel’s backup. The backup’s identical redundant recording allows for a true backup or pass on secondary copy of captured files to post-production, clients, or others on your team.
In the case of a single input source, you can assign a single input to four primary recording channels and four backup channels in flexible combinations across the 5 USB ports, enabling 8 captures of the source to a total of 5 physical devices for duplication needs.
The workflows below provide some examples of just some of the possibilities possible with Ki Pro GO's focus on a key concept of ‘pass out’ or ‘pass around’ or ‘handout’ media. Hit stop on your recordings and the show is ready to give to your clients right there and then.

Video Formats(HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
(HD) 1080i 50, 59.94, 60*
(HD) 1080PsF 23.98, 24, 25, 29.97, 30*,**
(HD) 720p 50, 59.94, 60
(SD) 525i 59.94*
(SD) 625i 50*
* Recording will be converted to progressive
** PsF input support only
Note: Multi-channel recording requires the same frame rate and resolution for all input sources.
Video Codec SupportSupports H.264/MPEG-4
up to 25 Mbps recorded output
Audio Codec Support4x audio compression codecs
2-channel audio support for each
up to 320 kbps
Codec ContainerMP4
Removable Storage5x USB 3.2 Gen 1 (5 Gbps) ports
All ports are also compatible with the following standards:
USB 2.0 (480 Mbps)
USB 3.0 (5 Gbps)*
USB 3.1 Gen 1 (5 Gbps)*
5V 1A max current per port
*Also referred to as SuperSpeed USB
File System SupportFAT file systems
In-system formatting support for exFAT only
Network StorageSMB support via GigE port*
        Only 1 network storage device can be used at any one time
        Connection via IP address or DNS entry
        Requires (externally defined) Domain name, Domain user name, user password
        Customer must ensure sufficient bandwidth is available for recording*
*GigE network connectivity to storage is required, with 150Mb/s of bandwidth permanently available for media storage.
SMB Protocols SupportedSMB 3.1.1
SMB 3.0.2
SMB 3.02
SMB 2.1
SMB 2.0
SMB 1.0
Video Input4x 3G-SDI BNC, SMPTE-259/292/424, 4:2:2 10-bit
4x HDMI standard Type A connector
HDMI v1.4a
    4:4:4 RGB 8, 10-bit (deep color)
    4:2:2 YCbCr 8/10/12-bit
    4:2:0 YCbCr 8-bit
Video Output5x 3G-SDI BNC, SMPTE-259/292/424, 4:2:2 10-bit
1x HDMI standard Type A connector
HDMI v1.4a
    4:4:4 RGB 8, 10-bit (deep color)
    4:2:2 YCbCr 8/10/12-bit
    4:2:0 YCbCr 8-bit
Audio Input4x SDI Audio
    2-channel, 24-bit embedded audio
    48 kHz sample rate, synchronous
    Sample rate converted to 48 kHz internally
4x HDMI Audio
    2-channel, 24-bit HDMI embedded audio
    32 kHz, 44.1 kHz, 48 kHz sample rates, synchronous
    Sample rate converted to 48 kHz internally
2x XLR input
    Line/Mic/+48V Phantom Power Mic Levels supported (selectable by rear switch)
    +24 dB full scale digital
    +/- 0.3 dBFS 20 Hz to 20 kHz response
    THD+N <= -90 dB
Audio Output5x SDI embedded
    2-channel, 24-bit embedded audio
    48 kHz sample rate, synchronous
1x HDMI embedded
    2-channel, 24-bit embedded audio
    48 kHz sample rate, synchronous
Stereo unbalanced headphone jack (1x 3.5mm jack) with volume control
2-channel unbalanced 2x RCA connectors
Video ConversionDeinterlacing for recording
Interlacing for playback (optional)
PsF to progressive
TimecodeSDI RP188/SMPTE 12M via SDI BNC
LTC input (via Analog Audio XLR in R)
TC Super Out
Reference InputExternal, 2x BNC
Looping, nonterminating
Input reference formats:
    (HD) Tri-level sync
        720p 59.94
        720p 50
        1080i 59.94
        1080i 50
        1080p 23.98
        1080PsF 23.98
        1080p 24
        1080PsF 24
        1080p 25
        1080PsF 25
    (SD) Analog composite
        525i 59.94
        625i 50
Network Interface1x LAN connector (RJ-45 connector, 10/100/1000)
Embedded web server for remote control
Configuration and Transport Control via WEB Interface
Clip upload/download via Web Interface
Remote control via REST
User InterfaceRotary selector knob
Dedicated, backlit transport controls and menu buttons
Large 1280x720 TFT LCD display with Video Monitor and Menu/Status Overlays
Size (w x d x h)8.64" x 10.59" x 3.31" (219.46 x 268.60 x 84.08 mm)
Weight5.1 lbs (2.3 kg)
PowerDual, redundant, 7.5A max, 40W-55W typical-90W Max
    100-240 VAC 50/60 Hz (adapter)
    12-18Vdc 4-pin XLR (chassis)
EnvironmentSafe Operating Temperature: 0 to 40 C (32 to 104 F)
Safe Storage Temperature (Power OFF): -40 to 60 C (-40 to 140 F)
Operating Relative Humidity: 10-90% noncondensing
Operating Altitude: <3,000 meters (<10,000 feet)

Subject to change without notice

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